Art news from ‘Bazis contemporary art space’

BAZIS: Meeting Berlin. Contemporary art project

Meeting Berlin. Contemporary art project  23rd November – 14th December  opening: 23rd of November, 2012, h: 18.00  address: 7-9 Moosdorf St., Berlin  BAZIS Contemporary Art Platform from Cuj-Napoca has dived into the Berlin art scene to create a new aggregation of artists between the two cities. The meeting point, Moosdorf Studios, is the perfect location for artists [...]

BÁZIS, Cluj: An organic cyberpunk – Gaál József

An organic cyberpunk – Gaál József BÁZIS – contemporary art space Cluj-Napoca opening: 26 october , 2012, h: 19.00 address: Fabrica de Pensule, 59-61 Henri Barbusse st., 1st floor, Cluj-Napoca An organic cyberpunk – Gaál József’s phantasm To keep within the bounds of human condition or to give up everything related to it, passing through [...]

Bazis, Cluj-Napoca: Shakin’ Jesus

Shakin’ Jesus BÁZIS – contemporary art space and White Project Pescara artist:  Mat Collishaw       opening: 1 June , 2012, h: 19.00 Matthew "Mat" Collishaw (1966, Nottingham, UK) is an artist based in London, one of the so-called Young British Artists, thus most exhibited together with Damien Hirst, Gary Hume, Douglas Gordon and Sarah Lucas. [...]

BAZIS contemporary art space, Cluj-Napoca: Nothing to Hide

Nothing to Hide artist: Dan MACIUCA April 27 – May 28, 2012 BAZIS contemporary art space F.D.P. – Fabrica de Pensule, 59-61 H. Barbusse st., 1st floor Cluj Napoca video: www.bazis.ro/GALLERY%20BAZIS/Dan%20Maciuca%2027042012/Maciuca%202012%2004%2027.html The show hosted by Bazis, Dan Maciuca’s Nothing to Hide, brings forth another painter who also on this occasion decided to step away from [...]

Fabrica de Pensule, Cluj-Napoca: OBJET

BAZIS contemporary art space Fabrica de Pensule, H. Barbusse, 59-61, 1st. floor, Cluj-Napoca Objet, artist: Zsolt BERSZAN February 24 – April 28, 2012 Opening: February 24, 19.00 The very essence of Berszan Zsolt’s artworks consist of a reductionist visual thinking. In his personal exhibitions from the previous years, Berszan employed Malevich’s gesture through the dominant [...]